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The Falcon and the Winter Soldier Finale Review: The Perfect End to a Rocky Season | Arts

15 Things You Might Not Know About Catch-22

15 Things You Might Not Know About Catch-22
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The Falcon and The Winter Soldier – Review

Superhero shows are deeper than ever Will the Emmys notice?

These are not your parents superhero shows. Some comic-based TV fare stands among today s most critically acclaimed series, whether holding a funhouse mirror up to reality in The Boys, dazzling with cinematic technique to explore a mind shattered by grief in WandaVision or dropping the gloves to take on real-world issues in The Falcon and the Winter Soldier. These shows have the highest of production values, the broadest of reach and the most serious of aims — they re cinematic, conveying emotional, psychological experiences. I m glad genre is starting to get a little bit of respect, although let s be honest, it s always going to be an uphill climb for us, said The Boys showrunner Eric Kripke, whose series might score with Emmy voters who honored Watchmen last year — both are deconstructions of superhero mythos. Any good genre, going back to The Twilight Zone, has a very human, oft times subversive story to tell and it s just cloaked in metaphor.

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