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Print The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. More than most musicals, caution tape reading “in the eye of the beholder” should wrap around “Summertime.” Because one man’s mush is another’s ecstasy. In Carlos López Estrada’s follow-up to his make-rhymes-not-hurt feature directorial debut, “Blindspotting,” spoken-word poets share their personal truths through stories of Los Angeles. The sunny, diverse musical delivers sugary messages of self-affirmation with the shine of a lollipop and the stickiness of a half-eaten sucker. It’s a bold attempt, putting a neo-realist spotlight on a bevvy of first-time and nascent actors, but presented under an obnoxious treacle banner.

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