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At Deep Cuts Deli, music and sandwiches exist in perfect harmony

At Deep Cuts Deli, music and sandwiches exist in perfect harmony Browse records, eat grilled cheese, and support local artists By Kara Baskin Globe Correspondent,Updated April 8, 2021, 12:49 p.m. Email to a Friend Where to: Deep Cuts Deli in Medford. Why: Sandwiches to go, music, and neighborhood cheer. The backstory: As Warren Zevon once said, “Enjoy every sandwich.” At Deep Cuts in Medford, you will — along with music, too, because it doubles as a record shop and artists’ sanctuary, with work from local creatives lining the walls (right now it’s Kat Maus Haus Illustration & Design from Beverly). Ian McGregor at Deep Cuts Deli. Lane Turner/Globe Staff

La liste complète des sorties pour le Record Store Day

La liste complète des sorties pour le Record Store Day AC/DC, Amy Winehouse, Tom Petty, U2, Motley Crue, The Clash, Deftones, The Cranberries, Linkin Park, Texas, The Who, Crosby, Stills, Nash & Young, Rage Against the Machine, Dire Straits, Dio, Keane, Queen, etc. la liste des sorties prévues pour célébrer les magasins de musique indépendants est immense et vient d’être dévoilée ! Etant donné que l’événement avait dû être amoindri et réparti sur trois jours en raison de la crise sanitaire l’année passée, le RSD revient cette année pendant deux jours cet été les samedis 12 juin et 17 juillet avec des centaines de vinyles, CD et cassettes qui seront vendues exclusivement dans les magasins de disques du monde entier.

Traditionshändler Käthe Wohlfahrt vorerst gerettet

Traditionshändler Käthe Wohlfahrt vorerst gerettet
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Can You Recommend Some Must-Haves For My Vinyl Collection?

Why Taylor Swift s Nostalgia Play Works

The Atlantic Taylor Swift Misses the Old Taylor Swift, Too The artist’s first release from her re-recording project is much more than a nostalgia play. It’s a love letter. Emma McIntyre / AMA2019 / Getty / The Atlantic When Taylor Swift, the pandemic’s mostproductive pop star, announced that she’d be re-recording her albums in a push for ownership over her work, the venture sounded risky. Swift cast her decision as both a personal vendetta against the music executive Scooter Braun and a moralistic stand against the industry’s treatment of artists. But at face value, re-recordings seem to offer little to look forward to for listeners. Ostensibly, these tracks are near-identical to the masters, with the same lyrics and production.

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