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Fun in the sun: Kristen Wiig and Annie Mumolo go on a beach romp

.... .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... Kristen Wiig, left, and Annie Mumolo in “Barb and Star Go to Vista Del Mar.” (Cate Cameron/Lionsgate ) There’s a tiny oasis on the west coast of Florida where the men wear Tommy Bahama from head to toe and women of a certain age stroll around poolside in tube tops and full jewelry. It’s a “middle-age nirvana” where crabs talk and you can eat veal-stuffed manatee while wearing your evening culottes and sip tropical drinks served in a mini-aquarium. This oasis is called Vista Del Mar, and it’s the wacky invention of Kristen Wiig and Annie Mumolo, who co-wrote and co-star in “Barb and Star Go to Vista Del Mar,” a gentle salute to women in their 40s getting their groove back.

W Royal Stokes has lived a jazz life as unpredictable as the music

W. Royal Stokes has lived a jazz life as unpredictable as the music Chris Richards, The Washington Post Feb. 26, 2021 FacebookTwitterEmail 5 1of5Jazz critic W. Royal Stokes at a 2005 book reading at Politics and Prose bookstore in Washington, D..C.Erika HartmannShow MoreShow Less 2of5 The Essential W. Royal Stokes Jazz, Blues and Beyond Reader is out now.W. Royal StokesShow MoreShow Less 3of5 4of5W. Royal Stokes. a champion of women in jazz, wrote several profiles of female performers, including pianist Shirley Horn, photographed in 2004 with bassist Ed Howard.Washington Post photo by Dudley M. BrooksShow MoreShow Less 5of5 One foot back in the past, one foot into the future. That s how the critic W. Royal Stokes describes the way he hears jazz after living 90 years on this dizzy planet - and it makes for a pretty good description of how we experience life, too. It s a continuity, a perpetual improvisation, a negotiation between what we know and what we don

90-year-old jazz critic W Royal Stokes has a new book out compiling a long life spent listening to -- and loving -- music

Barb and Star is a neon riot of nonsense – and the perfect film for our woeful times | Comedy films

Barb and Star is not a razor-sharp satire, nor an archly suggestive comedy of manners, nor a carnival of wit and wisdom. It is not an austere piece of art that will spark passionately held opinions on social media, or earnest long reads. It is not a likely subject for Cahiers du Cinéma. It is a full-throated piece of nonsense that, if the reaction of early viewers is anything to go by, is exactly what we need as we traverse the current vale of tears. Super-saturated in neons and pastels, garlanded with inflatable pool toys and cocktail umbrellas and drenched in gentle lewdness (there’s a song called I Love Boobies that, apparently, the team submitted for an Academy Award), it is the kind of thing to watch when you’ve rinsed all platforms for content in the mould of Sausage Party, Horrible Bosses, Ted 1 and 2, This is Spinal Tap, Ali G Indahouse and Anchorman. It is probably not the kind of thing to watch if you’ve spent months counting down to the release of Adam Cu

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