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Ray review: More hits than misses in this Netflix anthology

Express News Service Like many of his films, Satyajit Ray’s short stories are an adolescent’s delight. The Feluda series looms over his literary output, but he wrote just as enthusiastically about benign aliens, insecure film stars and man-eating plants. Take the story Spotlight, which though narrated by a tertiary character oozes his sense of mischief and psychological depth. Often aimed at children, these stories have endured for their brevity and wit. When not making globe-conquering humanist dramas, India’s greatest writer-director was churning out his delicious 10-pagers. Inspired by his stories, three contemporary filmmakers have created Ray, a 4-part anthology series on Netflix. Ray himself would have approved of the format – his 1961 triptych, Teen Kanya, was the first of its kind in India.

Ray – a Tribute to a Master Filmmaker – Is High on Ideas, Low on Execution

Ray – a Tribute to a Master Filmmaker – Is High on Ideas, Low on Execution
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Ray review: Web series on Satyajit Ray s fiction retains the sting in the tales

Ray review: Web series on Satyajit Ray s fiction retains the sting in the tales
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Ray Review: Who steals the Spotlight in new Netflix anthology?

Ray Review: Who steals the Spotlight in new Netflix anthology?
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Ray Web Series Review: Indian OTT s Best, A Poetic Tribute To Satyajit Ray, But There s Always A But!

Ray Web Series Review: Indian OTT s Best, A Poetic Tribute To Satyajit Ray, But There s Always A But!
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