[Exclusive] Kevin Smith Reveals the New Show That Scared the Hell Out of Him
[Exclusive] Kevin Smith Reveals on Post Mortem with Mick Garris The New Show That Scares the Hell Out of Him.
The new episode of the Dread Central Podcast Network’s Post Mortem with Mick Garris is now streaming. It features Kevin Smith and a bunch of classic new tales from the Red State filmmaker.
Smith tells Post Mortem with Mick Garris: “
Just recently I watched
Them on Amazon. Oh, my god. I take my hat off. It is truly horrifying. Very hard to watch. That’s how horrifying it is. Like I know a lot of people like to talk about Midsommar and Hereditary as like, ‘Oh you gotta look away’ and stuff. But with Them, there are whole storylines that, it’s not like looking away for a moment and then looking back, everything about this is horrifying. And at the same time, so much of it Is rooted in reality. That’s what made it even [scarier].“
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Black characters are hunted, persecuted and worse. Gay people are boiled alive. Women are shunted aside.
Welcome to the middle of the 20th century, as imagined by some of the most prestigious TV series of this awards season. Shows like “Lovecraft Country,” “Them,” “Ratched” and “The Queen’s Gambit” depict a potently non-romantic 1950s-era past. We’re a far cry from “Happy Days.”
Filtering horror movie and melodrama ideas through thoroughly modern sensibilities, these series leave an acidic aftertaste as their heroes fight to be treated as human beings.
Sometimes the goal is dignity. Others, basic survival.
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Take “Lovecraft Country,” the HBO fantasy series based on the novel by Matt Ruff. Borrowing from pulp horror master H.P. Lovecraft, the series takes us on a journey through Jim Crow America of the ‘50s, North and South. Its torments include real-life horrors (the 1921 Tulsa Massacre, the 1955 murder of Emmett Till, bloodthirs
HBO’s Pioneering ‘In Treatment’ Is Back for Another Therapy Session
More than a decade after the drama first engrossed viewers with its groundbreaking format, ‘In Treatment’ returns for a fourth season, with Uzo Aduba as the lead therapist. “We just wanted to show that these people are not superheroes,” co-showrunner Jennifer Schuur says.
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The fourth season of
In Treatment looks different. It’s not just a matter of who sits in the therapist’s chair, though the casting is both pointed and significant: Uzo Aduba as Dr. Brooke Taylor, a Black woman who cuts a very different figure than Gabriel Byrne’s Paul Weston, from the first three seasons, or Assi Dayan’s Re’uven Daga, from the Israeli original
Do Star Trek Streaming Series Make Movies A Moot Point for Paramount?
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Star Trek, the franchise is content creating new canon off of its existing three shows with
Strange New Worlds and
J. J. Abrams Kelvin Universe inconsequential especially since the last Paramount film in 2016 s
Beyond was five years ago and we re no closer to a fourth film of the alternate reality crew. Adding to that complication, director
Noah Hawley would have to decide to either retire the Kelvin Pavel Chekov or recast him entirely from the late
Anton Yelchin.
With the
Star Trek franchise showing no signs of slowing down on TV and an uncertain cinematic future, it doesn t seem to make any sense from here on out to make another film at least theatrically. Hawley and current Montgomery Scott actor
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