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Roland Barthes, le corps de l autre
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4 Art Gallery Shows to See Right Now The Spine of Music offers a different, vaguely utopian model of peaceful no-rules anarchy, participation and silence, writes Martha Schwendener in
The New York Times.
The rough and beautifully wrought objects in Joaquín Orellana’s “The Spine of Music,” at the Americas Society, resemble 20th-century modernist sculptures, but they are much more than this. Orellana, a Guatemala-based composer, calls them “útiles sonoros” or “sound tools,” and these objects, created from metal, wood, bamboo and plastic, can be activated by visitors using mallets and other implements. This is his first show in the United States, and the sound tools are accompanied by paintings, prints and videos by Carlos Amorales, María Adela Díaz, Akira Ikezoe and Alberto Rodríguez Collía.
4 Art Gallery Shows to See Right Now
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It may be an acquired taste, but once music lovers develop an interest in the music of 20th-century composer Alban Berg, it can become a passionate preference. If you are timid sampling atonal music, rest assured- there is a strong Romantic aesthetic informing even his thorniest scores. New listeners are amazed how well they stand the test of time.
Alban Berg Violin Concerto, Seven Early Songs, and Three Pieces for Orchestra
SFS Media, the San Francisco Symphony s (SFS) top-rank in-house media production company releases an album of three major Berg works recorded in high-resolution, available in 5.1 surround-capable SACD and for download and streaming on February 26. The hard copy and digital download is already available to pre-order.
Joshua Kosman February 16, 2021Updated: February 16, 2021, 7:46 pm
Bang on a Can founding artistic directors David Lang (left), Michael Gordon and Julia Wolfe. Photo: Peter Serling
Something possibly worth noting about the influential New York new-music behemoth Bang on a Can is that the name is, strictly speaking, a misnomer. There aren’t any cans, and there’s only a reasonable amount of banging.
Yet the name, which evolved out of a throwaway joke in an early grant application, does get at a distinctive aspect of this organization. Since its inception in 1987, Bang and its founding artistic directors composers Julia Wolfe, Michael Gordon and David Lang have been hammering away at many of the artistic, economic and social structures underlying the world of contemporary classical music.
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