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Hogir Hirori visited a Syrian camp where Daesh soldiers are kept captive. A great many Yazidi women who have been kidnapped and are being kept as sex slaves by these same ISIS fighters are yet to be freed. The film follows volunteers who risk their lives to bring the so-called s abayas back to their families. The director tells us more about the production of the film and the situation of his protagonists. (The article continues below - Commercial information) Cineuropa: How did you organise the shoot? Hogir Hirori: I knew of the existence of the Yazidi centre and went to Syria to do some research. There, I met Mahmud, who volunteers to find and rescue Yazidi women in one of the big camps where Daesh soldiers are kept captive. To be able to shoot, I had to get special permits. As a rule, a journalist gets a permit to enter the camp, but he or she is only allowed in for two hours, and they are told what they have the right to film. I needed a permit for a much longer time, actua

Hogir hiroriAntonio russo merendaSwedish film instituteSwedish film commissionWorld cinema documentarySundance film festivalAntonio russoஅன்டோனியோ ருஸ்ஸோ வெறும்ஸ்விட்ச் படம் நிறுவனம்ஸ்விட்ச் படம் தரகுஉலகம் சினிமா ஆவணப்படம்ஸந்‌ட்யாந்ஸ் படம் திருவிழாஅன்டோனியோ ருஸ்ஸோ