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Why this might not seem so easy By her own admission writer-director Mia Hansen-Løve’s style is difficult to define. She strives for filmmaking ‘transparency’, avoiding showy techniques in favour of a more subtle, understated approach – one that’s deeply felt and personal. Her films foreground character and mood, though often contain sudden, transformative incidents. They are something like the films of French New Wave director Eric Rohmer: intelligent and dialogue led, yet with an ardent emotional core. Like Rohmer, Hansen-Løve served as a critic at the journal Cahiers du Cinéma. She admired the New Wave directors, who created their own cinematic language, and in unassuming fashion she has done the same, fashioning a delicate, individual style that’s intellectual, sensual and bittersweet.

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