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In The Empathy Diaries, Sherry Turkle Considers The Burden Of Family Secrets
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In The Empathy Diaries, Sherry Turkle Considers The Burden Of Family Secrets
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“From a very young age, I saw myself as my life’s detective,” Sherry Turkle writes in the introduction to her memoir, “The Empathy Diaries” (out now).
While I suspect that is true of many people certainly of most memoirists Turkle’s sleuthing led her to the heart and soul of the digital revolution, a destination relevant to us all. A clinical psychologist and founder of the MIT Initiative on Technology and Self, she has long been known for her incisive critiques of how we have appropriated the language of computing to describe our own processing of the world around us. We’ve become the human subjects of the technology we have created, she cautions, sacrificing our capacity for empathy along the way.
New & Notable Books, February 2021
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2/19/2021
Arriving in the U.S. almost simultaneously with his raved-about release
Sin centers on another artist whose grand projects often competed with each other: Michelangelo, whose talents were demanded by one pope even as he had years to go on a job for that man s predecessor.
A beautiful but decidedly unromantic look at artistic drive, the Italian/Russian production zeroes in on the great man s demons without, as art-biographical cliches usually have it, crediting them for his genius. A captivating lead performance and a truly massive central metaphor make it a memorable arthouse film, even if the arthouses in this case (from Film Forum to Austin Film Society to Laemmle in L.A.) are all virtual.