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Der Freischütz, Bavarian State Opera online review – marksmen as marketeers | reviews, news & interviews Der Freischütz, Bavarian State Opera online review – marksmen as marketeers Der Freischütz, Bavarian State Opera online review – marksmen as marketeers Tcherniakov’s staging heightens the psychological drama, but his feminist angle falls flat by Gavin DixonMonday, 15 February 2021 Max (Pavel Černoch), Agathe (Golda Schultz), Caspar (Kyle Ketelsen) All images Bavarian State Opera Bavarian State Opera has led the way for live performances and associated broadcasts during the pandemic. Their series of weekly “Montagsstück” events have presented innovative chamber operas, specifically for web streaming. Their next goal is full-size opera with a live audience. That is not possible yet, so instead they are premiering a new production of Weber’s

Kuno agatheCaspar kyle ketelsenGolda schultzMax pavelAgathe golda schultzAntonello manacordaWolf glennAnna prohaskaDmitri tcherniakovBavarian state operaDer freischKyle ketelsenகுனோ அகத்காஸ்பர் கைல் கெட்டெல்சன்கோல்டா ஶுல்ட்ஸ்அதிகபட்சம் பாவேள்