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The Best Classical Albums of 2021 (So Far)
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Exaudi. This lunchtime recital, entitled
Chromatic Renaissance, intersperses 16th and 17th-century works with a selection of madrigals from contemporary composer James Weeks’s
Primo Libro. The program opens with four of Orlande de Lassus’s
Sibylline Prophecies
2 pm ET: Hamburg International Music Festival presents
Insula Orchestra & Laurence Equilbey. Laurence Equilbey conducts Insula Orchestra and Accentus Choir in an all-Schumann program comprising
Vom Pagen und der Königstochter Op. 140,
Des Sängers Fluch Op. 139,
Requiem für Mignon Op. 98b, and
Nachtlied Op. 108. View here.
2:30 pm ET: Wigmore Hall presents Kaleidoscope Chamber Collective. Wigmore Hall’s 120th anniversary sees the Hall’s Associate Ensemble joined by soprano Mary Bevan for Fauré’s
Classical CDs: Mexican brass, fairy gardens and a socially distanced orchestral recording | reviews, news & interviews Classical CDs: Mexican brass, fairy gardens and a socially distanced orchestral recording
Classical CDs: Mexican brass, fairy gardens and a socially distanced orchestral recording
Hefty piano sonatas, a joyous symphony and a semi-improvised epic from an inventive trumpeter
by Graham RicksonSaturday, 08 May 2021
Boris Giltburg (Naxos)
It s worth noting that Beethoven s final piano sonatas weren t his last works; there was still a lot of music in him. Performing them as weighty, epic closing statements can smother the sonatas’ inventiveness, so it’s good to hear Boris Giltburg emphasising Beethoven’s charm and invention. He doesn’t undersell the gravitas, but lightness and energy are what draw us in. Reach the understated close of No. 32’s “Arietta” and there’s a feeling of frustration that we’ve hit the end. Giltburg is excellent a
Anna Lucia Richter on Monteverdi and becoming a mezzo
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Classical CDs: Big symphonies, archlutes and the healing power of the viola | reviews, news & interviews Classical CDs: Big symphonies, archlutes and the healing power of the viola
Classical CDs: Big symphonies, archlutes and the healing power of the viola
Late romantic symphonies, a soprano s swansong and a 20th century classic reinvented
by Graham RicksonSaturday, 13 March 2021
Paolo Zanzu (harpsichord) (Musica Ficta)
I’m a recent convert to Bach keyboard music played on harpsichord, having recently immersed myself in the Erato box set containing Zuzana Růžičková’s Bach recordings made in the 1970s. Her preferred instrument was an iron-framed modern harpsichord, whereas Paolo Zanzu uses a 1995 copy of a German original built in 1735. It makes a soft, warm sound, his readings of Bach’s six English Suites correspondingly friendly and intimate. With a piano it’s easier to concentrate on Bach’s harmonic arguments, but the harpsichord allows for
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