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These numbers should be alarming to everyone, as they were to orchestrator, copyist, and music director Macy Schmidt, who worked on the music team for TINA: The Tina Turner Musical, and is the music supervisor for the stage adaptation of Chelsea Clinton’s She Persisted at Atlantic Theatre Company. Like many artists, the events of spring and summer 2020—specifically the theatre shutdown and the industry’s racial reckoning—mobilized Schmidt to take action. All too-familiar with the inequities women of color face in the industry, Schmidt focused on drawing attention to the marginalization of women, specifically women who identify as Black, Indigenous, Latina, or Asian American-Pacific Islander in the music department space. Her first call was to her friend and mentee, Leah Vicencio.

United statesDaryl rothSally rideMarye furseLeah vicencioLeah vicencio macy schmidtJana sheaBroadway vicencioMacy schmidtBroadway sinfoniettaTony awardsBest orchestrationsTina turner musicalChelsea clintonShe persistedAtlantic theatre