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Last modified on Mon 24 May 2021 05.25 EDT D uring lockdown, the Bush theatre joined forces with the BBC to film Phoebe Eclair-Powell’s razor-sharp monologue about social media toxicity and trolling. It was a standout drama, not only for Leanne Best’s delicious performance as a lonely estate agent who becomes an obsessed “frenemy” to a social media influencer but also for the intimacy it conjured on screen. It was hard to imagine a staged version, with a different actor, that could better this gloweringly brilliant film. Yet here it is, live at the Bush, this time starring Kelly Gough in a performance that has the same twisted relish as the film, but with added physicality. Tense, heady and full of savage laughter, it is intoxicating from beginning to end. Eclair-Powell’s script still glints and her barbed wit stings. But the production is filled with viscerality and visual thrills, from the creepy shifts in Lee Curran’s lighting to Jasmin Kent Rodgma

City ofUnited kingdomJasmin kent rodgmanKelly goughLee curranAtri banerjeePhoebe eclair powellLeanne bestநகரம் ஆஃப்ஒன்றுபட்டது கிஂக்டம்கெல்லி கோஃப்லீ குர்ரன்ஆற்றி பானர்ஜிஃபோப் எக்ல்ர் போவல்ஒல்லியான சிறந்தது