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EVEN before Al Tantay’s
Pakboys: Takusa actually landed on the Upstream streaming service as an entry in this year’s Metro Manila Film Festival, the trailer had already created a furor online for including a joke about transgender people. This led to several LGBTQ (lesbian, gay, bisexual, transsexual, queer, etc.) groups to petition the festival to remove the film because of its offensive portrayal of transgenders.
Honestly,
Pakboys’ treatment of transgenders is just one of many reasons this writer thinks that this movie, full of sexist and tired comedic tropes, has no place in 2020.
But what was the story and the joke about? The short of it is that four friends (played by Janno Gibs, Andrew E., Gerald Napoles, and Dennis Padilla) have fun trying to hide their extramarital affairs from their suspicious wives (played by Angelou de Leon, Ana Roces, Maui Taylor, and Marissa Sanchez) while making it look like it’s their wives that cause problems by being too suspicious.
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CHRISTIAN ACUNA may have helmed
Magikland, but for all intents and purposes, the fantasy-adventure film was a Peque Gallaga and Lore Reyes film, harkening back to more than two decades ago when
Magic Temple premiered at the Metro Manila Film Festival in 1996, winning 14 of the festival’s prizes.
Magikland, while a tribute to the cinematic career of Peque Gallaga (fondly called by some the “Steven Spielberg of the Philippines” for his ambitious works) is also a look at what the Filipino industry is capable of: that with enough time and a big enough budget, it is possible for a film to almost completely be done with great computer-generated imagery (CGI).
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WHILE I wrote in the
Magikland review on this page that it was a pity that the movie wasn’t able to get a full theatrical release as the film was absolutely meant to be seen on the big screen with high quality surround sound, in contrast, the family drama
Coming Home is perfect as a TV movie or afternoon drama as the cluttered storyline often left me wondering if I had missed something.
Magikland’s faults rests on the ineffectiveness of its child actors, but
Coming Home has no such issues in fact, the whole cast (with the exception of its lead star Jinggoy Estrada, playing the sick father) delivered and proved their acting chops, especially Sylvia Sanchez as the long-suffering matriarch and mother to five children.
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