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This week on Sunday Morning (October 3)
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Roberto Lugo brings street graffiti and portraiture to the Arthur Ross Gallery
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The Maker’s Hand
Wire, silk, fabric, safety pins, and synthetic and natural threads; 72 by 99 inches. ©
Consuelo Jimenez Underwood; photograph by Michael Tropea, courtesy of the artist.
Picture an American artisan in your mind’s eye. What do you see? Here’s a guess: a sturdy fellow of middle age, likely white, tools in hand, wearing a leather apron. He works alone, or maybe with an apprentice or two. And he is long dead.
Fig. 2
Soundsuit by Nick Cave (1959–), 2009. Fabric with appliquéd crochet and buttons, knitted yarn, and metal armature; height 97, width 26, depth 20 inches.
Crystal Bridges Museum of American Art, Bentonville, Arkansas; photograph by James Prinz, courtesy of Jack Shainman Gallery, New York.
Think spring, Philly! Here s the best TV, music, art shows, and more for these 6 last weeks of winter
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Art & Design|The Kids of Survival Are Middle-Aged â and Transforming Yet Again
Tim Rollins and Studio K.O.S. in 1993, Longwood Ave., South Bronx: From left: Rick Savinon, Tim Rollins, Carlos Rivera, Victor Llanos. Back row, from left: Robert Branch, Angel Abreu. Seated: Jorge Abreu.Credit.Studio K.O.S. and Wexler Gallery
The Kids of Survival Are Middle-Aged â and Transforming Yet Again
Studio K.O.S. continues the legacy of the â80s art collective that grew up, entered museums and regrouped in Hoboken.
Tim Rollins and Studio K.O.S. in 1993, Longwood Ave., South Bronx: From left: Rick Savinon, Tim Rollins, Carlos Rivera, Victor Llanos. Back row, from left: Robert Branch, Angel Abreu. Seated: Jorge Abreu.Credit.Studio K.O.S. and Wexler Gallery