for me, it is her film making, i wanted for me, it is her film making, i wanted to for me, it is her film making, i wanted to be a part of her type of storytelling and the way she portrays people, at like their ugliest portrays people, at like their ugliest places and somehow, what she wants ugliest places and somehow, what she wants from ugliest places and somehow, what she wants from people, is, you know, they re wants from people, is, you know, they re true, wants from people, is, you know, they re true, authentic, all the ugliness. they re true, authentic, all the ugliness, all of it. in they re true, authentic, all the ugliness, all of it. they re true, authentic, all the ugliness, all of it. in one sense, jane campion ugliness, all of it. in one sense, jane campion was ugliness, all of it. in one sense, jane campion was dancing - ugliness, all of it. in one sense, jane campion was dancing on i ugliness, all of it. in one sense, | jane campion was dancing on her
on the subway or the train, you can do that as well. and i think, really, we re all trying to get the audience to love what we re doing in the biggest and broadest way. i suppose something, though. a film like the power of the dog is a great example of a movie which is arguably best seen in a cinema, you know, those huge scapes. if netflix wanted to, it could decide to lengthen the theatrical window, as it s called, that period when films are exclusively available only in the cinema, to months instead of weeks. and that would have given the cinema a huge boost, particularly after the pandemic. why don t you do that and why didn t you do that with the power of the dog? well, we re constantly iterating, evolving. i think sometimes there s misinformation about it. on the power of the dog, it was, in certain places, in cinemas exclusively for three to four weeks, right? and it still is, right? so it continues to run in over 2,000 screens. many places only two weeks, though, i think, before
tough time, isn t it? yes, it really difficult- as tough time, isn t it? yes, it really difficult. as we tough time, isn t it? yes, it really difficult. as we were tough time, isn t it? yes, it really difficult. as we were staying i tough time, isn t it? yes, it really| difficult. as we were staying there, most people don t know that it is not covered by the price from ofgen. let s have a look at some of today s front pages. several papers focus on president biden s comment that vladimir putin cannot remain in power. the observer describes his remark as a dramatic shift in us policy, although the white house later said he was not calling for regime change. the sunday telegraph features an interview with the foreign secretary, liz truss, in which she outlines how sanctions against russia could be lifted if its forces agree to a full ceasefire and withdraw from ukraine. the sunday times focuses on the findings of a five year investigation into maternity services at the shrewsbury a
last year, it got its lowest ratings ever. it can t afford to be out of touch with the cultural zeitgeist at a time of war. going into the oscars, new zealand film maker jane campion s western psychological drama, the power of the dog, which portrays a mean spirited, misogynist rancher, played by benedict cumberbatch, was the oscars frontrunner with 12 nominations. but how will this acclaimed, masterful epic fare at the ceremony? will it take home the top oscar trophies? well, emma jones has been finding out. open up the gate. let him out. you sure? he s not ready. go on. let him out. emma: no toothless hound. he sjust a man, peter. ..the power of the dog has 12 oscar nominations. only another man. the movie and its new zealand born director, jane campion, has devoured this awards season, taking prizes for best director. jane campion. ..and best picture. the power of the dog.
finally, these big tech gatekeepers are going to have to play by some set of rules which they really haven t had to adhere to at all. they were very innovative in getting to where they got to but since then, since they have entrenched their dominance, they have exploited that monopoly power, but i think it is also huge globally because there is this misconception that it s impossible to take on big tech and when and in the us here where i am, lawmakers have been talking about reining in these monopoly abuses for years but we haven t seen this kind of progress and so this is really a landmark law and a game changer on the global stage. if it comes in, we need to add, don t we? just explain then because as you say these companies are innovative and they have a lot of power. who is going to police it and make sure that they don t find clever ways around this?