and in the 60s, aged 25, teamed up with a young demis roussos to form aphrodite s child. a life of writing commercial hits for his band was not what he wanted. in a studio in london, he spent hours alone, exploring the possibilities have been emerging new musical technology, the synthesiser. this led to a successful partnership with the singer. his most natural home was found, his most natural home was film. his musical signature was the sound of soaring hope
in their early days. what was it like to suddenly play in front of a live audience again? kind of strange at first, wasn t it? it was quite odd to being really loud. i was like, oh, my god, i don t know what to do cos i m not on my living room pretending i can play synthesiser to facebook followers. it s good to see regular fans and people, it s a really big part of our social lives as well, isn t it? it s definitely picking up now with people more confidentl to come out now and stand - in crowds, which wasn t before. it s that return of confidence in people that s breathing life back into venues like this. i ll be back laterfor the gig, but there s one more thing i need to do. i m no football expert,
pretending i can play synthesiser to facebook followers. it s good to see regular fans and people, it s a really big part of our social lives as well, isn t it? it s definitely picking up now with people more confidentl to come out now and stand - in crowds, which wasn t before. it s that return of confidence in people that s breathing life back into venues like this. i ll be back laterfor the gig, but there s one more thing i need to do. i m no football expert, but i do know that it was here in manchester that the first professional football league was set up back in 1888. i ve been told, if you can t make a game, it s well worth doing a stadium tour. first, before we begin, how many of us are from manchester? that s a big group that s not come from manchester. football is undoubtedly the city s biggest cultural
you open your eyes and you just went into flow state. the machine recognised that so it kept it on screen. an accomplished rapper would be able to put quite a few more words in, instead ofjust rhyming words. i will use it and show you. evil is seen in the part of the switch with the truth. for an experienced rapper like micah, the system allows him to be creative because he can focus on building a story instead of worrying about finding the right words. caveat of what s going on, that never be seen. it s clear using the headset takes practice, and like most new music tech, there s a chance it could freak out the old school which, let s face it, always happens. when the synthesiser came out, the music industry was terrified. i think one of the organisations, the musicians union, tried to ban it because they thought it would replace musicians but itjust bred a new format of music. the machine made us breed completely new formats and new genres that we haven t even thought up yet. hold on
investing, protesting, contesting and requesting, manifesting, clandestine betting, petting, belting. it s gone very strange. 0k. what was happening was you were in a flow state, listening to the beat, you were inside it and then you open your eyes and you just went into flow state. the machine recognised that civic kept it on screen. an accomplished rapper would be able to put quite a few more words in. i will use it - and show you later. seen in the part of a swish. for an experienced rapper like micah, the system allows him to be creative because he can focus on building a story instead of worrying about finding the right words. caveat of what s going on and never be seen. it s clear using the headset takes practice, and like most new music tech, there s a chance it could freak out the old school which, let s face it, always happens. when the synthesiser came out, the music industry was terrified. i think one of the