incredibly powerful. i mean, you know, the article was powerful, the book was powerful, and the film, i think, is a really nice addition and a way for people to interact with the story. and look, it s about heroism across the board, both from a journalistic standpoint, and also on behalf of the survivors who came forward. and you mentioned another film that you backed early on, straight 0utta compton, which was hailed as a surprise hit i m sure you weren t surprised by that. but have you always been driven by the desire to improve representation, whether that s around women or people of diverse backgrounds? yeah, and again, you know, i did it innately, really, you know, back in early in my career, i worked for a studio called new line, and i was trained to find stories and make films that were aimed at a specific audience, primarily so we knew who to market to so when we were spending those marketing dollars, we knew who to target. but what i learned back then is that, you know,
yeah, yeah. does that feel like, i mean, i know you re obviously very behind she said, because you ve commissioned it, but did that does that feel like a really appropriate moment to, you know, make this film and, kind of, let people have a final say about what happened? i do, the film is incredibly powerful. i mean, you know, the article was powerful, the book was powerful, and the film, i think, is a really nice addition and a way for people to interact with the story. and look, it s about heroism across the board, both from a journalistic standpoint, and also on behalf of the survivors who came forward. and you mentioned another film that you backed early on, straight 0utta compton, which was hailed as a surprise hit i m sure you weren t surprised by that. but have you always been driven by the desire to improve representation, whether that s around women or people of diverse backgrounds? yeah, and again, you know, i did it innately, really, you know, back in early in my career, i
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appetite for movie theatres, but perhaps send a signal to hollywood, you really should not do the release in theatres and at home at the same time. you should try to do the theatre release to get these numbers. yeah, i mean, it s a really difficult balancing act for studios and i don t, you know, i don t want to second guess any of them. they have a ton of different things they re thinking about. but if you look at the movies that have done the best in the pandemic, the ones that have done the best were the ones available exclusively in theatres. so if you look spider-man no way home, huge hit, exclusively in theatres, venom let there be carnage was a surprise hit. i don t think anybody was expecting that to have the biggest opening weekend of any movie before spider-man no way home, but it had huge numbers because people were excited to see it and it was only in theatres. no time to die did well. very solid. held well and it did that because it was available only in theatres. yo