chord structures i would have our melodies even. what about what ed sheeren has been saying about how this is damaging the industry? there does seem to be quite a lot of these cases brought at the moment, doesn t there? . brought at the moment, doesn t there? , ., , there? yes, there have been uuite a there? yes, there have been quite a few there? yes, there have been quite a few cases there? yes, there have been quite a few cases recently i there? yes, there have been i quite a few cases recently that have been really interesting and artists are in the spotlight so understandable how they might feel. it s hard to do their work. but at the same time, at least, as attorneys, you are not able to bring cases. you re not supposed to bring cases that don t have merit so even if it does not feel like it has merit in some cases it might. people tend to get confuse that every piece of music is to copyright. there is what you hear, which is what people generally think of, it and the actual
when everyone has had a few too many. chris fox doing our laundry, which was nice! very kind but i think he may have added red wine to the tablecloth. i would not have wasted that. on the other side of town, paul carter has been to meet a very important guest. when it comes to musical superstars, they don t get much bigger than bjorn ulvaeus of abba. he was talking to us about a new software solution for session musicians. more on that in an upcoming episode, but i took the opportunity to ask his thoughts on tech and music. we see technology evolving music over the years. i wondered what your reflections on technology being used in modern music? you know, when benny andersson and i in the 70s, we used to be in one little room, in a cubicle with a stand up piano and an acoustic guitar and two guys singing some kind of gibberish. pop english, swedish, something. no recordings of that.
the best albums of all time in bat 0ut the best albums of all time in bat out of hell. the best albums of all-time in bat out of hell- the best albums of all-time in bat out of hell. ., ., ., , .,, out of hell. how fortuitous was the meetin: , out of hell. how fortuitous was the meeting. was out of hell. how fortuitous was the meeting, was that out of hell. how fortuitous was the meeting, was that when out of hell. how fortuitous was the meeting, was that when he - out of hell. how fortuitous was the meeting, was that when he was - meeting, was that when he was created? i meeting, was that when he was created? ~ meeting, was that when he was created? ,, ., created? i thinkjim steinman it needed a voice created? i thinkjim steinman it needed a voice like created? i thinkjim steinman it needed a voice like meat - created? i thinkjim steinman it needed a voice like meat loaf s| created? i thinkjim steinman it i needed a voice like meat loaf s to make his huge operatic songs wor