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The Quietus | News | Tresor To Mark 30th Anniversary With Series Of Reissues

Christian Eede , March 17th, 2021 16:38 The Berlin techno institution will also release a vinyl box set and book later this year Berlin club and record label Tresor is marking its 30th anniversary with a series of rare reissues and more this year. Kicking off the celebrations in May, Tresor will reissue a self-titled album by 3MB (consisting of Moritz von Oswald and Thomas Fehlmann) and Juan Atkins, which originally came out in 1992. The album was a key release in bringing the techno of Detroit together with Berlin styles in the early 90s, with Atkins and von Oswald since collaborating on a number of projects.

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The Quietus | Features | Noel's Straight Hedge | Straight Hedge! Noel Gardner Reviews Punk & HC For March

Noel Gardner , March 17th, 2021 09:00 Rimming disasters, Cockney piano and countryfied garage rock expectorations. Noel Gardner probes the boundaries of punk rock once again Home page portrait of Spodee Boy Can it really be a whole year since I was sporting a ‘beer jacket’ in north London at the Static Shock Weekend, being given a flyer for The Chisel’s debut gig, briefly wondering who The Chisel were and swiftly realising they were all in the place too? Course it can! We’re not going to do that soft-arsed Facebook anniversary palaver, though, because The Chisel have had a productive 12 months even if you haven’t.

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The Quietus | Features | Escape Velocity | Feel The Buzz: An Interview With Mosquitoes

Jennifer Lucy Allan , March 16th, 2021 09:20 Jennifer Lucy Allan takes apart Clive Phillips, Peter Blundell, and Dominic Goodman’s trio to unpick how they’ve built their distinctive no wave by negation, and gathered a small and dedicated fanbase on the way Mosquitoes are a band best described through what they are not. They are no wave by negation; post punk but only at a push, and are more This Heat or DNA than Orange Juice. They are not rock or punk, although they have drums, guitar, bass and vocals; they are certainly not jazz, although like free improvisation there is an ambition to escape genre. They are like Mars in some respects, but make

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The Quietus | News | Editions Mego To Curate Stream For New Online Festival

Christian Eede , March 16th, 2021 14:09 Stephen O Malley, Nik Void and more will present live sets as part of the inaugural COMMON Multiverse Initiative A number of artists on Editions Mego s roster will play live sets this weekend for a brand new online festival called COMMON Multiverse Initiative. The event, which kicked off on Saturday (March 13), is the brainchild of online community space and playlisting platform, Currents.fm. Each day, different collectives and labels – including female:pressure, Infinite Machine and Fever AM – are curating the online event s programme. This Sunday (March 21), the curation falls to Editions Mego, with the likes of Nik Void, KMRU, The Transcendence Orchestra and Julia Reidy all set to play live. Avaeken , a piece by Stephen O Malley, will also be performed by Zwerm Ensemble, while Powell will join up with his a ƒolder collaborators Marte Eknæs and Michael Amstad for a live performance.

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The Quietus | Reviews | Kiazi Malonga

Drums come to the fore in this debut album from Congolese-American artist Kiazi Malonga In the Bantu languages spoken throughout Central, Eastern and Southern Africa, ‘ngoma’ represents an important part of musical and social culture. The literal translation is usually given as ‘drum’, but it more accurately refers to a unified concept of drum-dance-song-music. You can beat the ngoma, or sing it, or dance it, and in doing so, create ngoma. Ngoma is at once playing, moving and listening – it is by nature reciprocal and collaborative. Tembo kia Ngoma explores the drum and its wider meanings in sound in an impressive and considered debut from Congolese-American artist Kiazi Malonga.

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