Stay. What you have to member joe biden have been forced out of the race in september 87 by a series of revelations, none of which individually were an almost laughable when you look back at them. But, by the time they were digested to the great long snake of the press corps seems to constitute an elephant of a character flaw. So biden had dropped out. He really did not come out speaking again until the turn of the year, 1988. It was february the first time that he had been out talking on the College Campus pretty went to the university of rochester as a matter fact periods see when did you go there . Guest no i was not there i was in New Hampshire with all of the good members of the pack. And joe gave his speech at the university of rochester. I then was questioned for several hours. When he got back to his motel room all the sudden bang, he got hit by a brick in the head. He was dizzy, he was nauseated he could barely see. He didnt know what was happening but it couldve been a heart
Provided the video. Good evening everyone. It is my absolute delight and pleasure to have the opportunity to speak with my good friend and professional colleague harold. Feel free to use the question and answer button at the top of your screen and we will get to as many questions as we can towards the end. To let us turn our attention to some objects that help us describe the civil war. Lets see the cover of the book. Civil war and 50 objects. In the museum realm, particularly the history museum, the art, objects and documents on display have the power to stand in for a larger historical narrative and make so much more than what is structurally defining of that object in itself. Harold, about this book, how did this come about and how effective is it and conveying the narrative of the civil war in 50 objects . It is kind of a tactile history that brings you closer to the lived experience of the civil war. That is what made it so exciting for me, and if you are asking how it happened, i
Give a warm welcome to the stage. [applause]. I hope you are having as much fun as i am at this festival. [applause]. I think of students in college a few of you were in college a few years ago as the best thing to do is to take the teacher not the course and here i think of things to take these incredible authors and be in a room with them. Whatever theyre talking about. The only problem is there is someone in every room. That you want to be with. I think you heard from them all at one point or another. They have also done some the other interesting things. American shots. He is the cn and historian. He has a little bit of basement studio and envy of john meacham. Whos got that at msnbc. Of course the great tester in 1919. Just a transformative book that is so important. Many of us know him from his basement with morning joe. The assignment is to talk about who is your favorite historical figure. I want to make that a free and fun thing. Maybe later we would get into other elements. W
Abraham lincolns hand. Due to the coronavirus pandemic, this took place virtually, and the New York Historical society provided the video. Good evening, everyone. It is my absolute delight and pleasure to have the opportunity to speak with my good friend and professional colleague Harold Holzer. And as we said, please feel free to use the q a button at the bottom or the top of the screen and well get to as many questions toward the end. Lets turn our attention to some objects that help us describe the civil war. And might we see the cover of our book, civil war in 50 objects. In the museum realm, particularly the history museum, the art, objects, and documents on display have the power to stand in for a larger historical narrative conveying so much more than what is structurally defining of that object itself. But harold, what about our book civil war in 50 objects . How did this come about, and how effective is it at conveying the narrative of the civil war in 50 objects . Its kind of
Objects. Now in the nume realm, particularly the history human, the art, objects, and documents on display have the power to stand in for a larger historical narrative, conveying so much more than what is structurally defining of that object itself. But what about our book, civil war in 50 objects . How did this come about, and how effective is it at conveying the narrative sweep of the civil war in 50 objects . Well, its kind of a tactile history that brings you closer to the lived experience of the civil war. Thats because i was thats what made it so exciting for me. And if youre asking how it happened, it happened because of louise mayer. Louise asked me if i would be doing in this kind of a chronicle for publication, and she said, why dont you come in . I think you were there that first day of review. Why dont you come in, and ill put some of the objects i have in mind on a few tables in the Administrative Offices of the historical society. And what i saw during that the historical