wish had been dealt with years ago but now is the time. one of the points ago but now is the time. one of the points of ago but now is the time. one of the points of contention - the points of contention concerns over artificial intelligence, i want to create something you have said in the past. you said, i think ai has no place in hollywood at all. to mean, tech should solve problems humans have using chat gtp or using any software to write screenplays, using that in place of a writer is not solving a problem. it might be fair to say that some people see this as an issue of the future but how do you think it is an issue of today and what do you think are the consequences of ai that the film industry is feeling right now? ., h ., film industry is feeling right now? ., , ., now? no, it s not something. you can read now? no, it s not something. you can read books now? no, it s not something. you can read books from i now? no, it s not something. you can read books from the i now?
is a stretch. these technologies are aggregators, it takes content that already exists, screenplays, movies, whatever else and then it will spit out a conglomeration of all these disparate pieces of media. the concern is as the studios look to cut further costs they will not see the value that rightist and artists that writers and artists in hollywood bring two productions and they are going to deploy ai. we are starting to see this when it comes to actors, which i know is concerning for the screen actor s guild. in terms of writers, you can theoretically type in a few prompts and try to get a script, but it s not going to be the quality you would see from a human you would see from a human writer and it won t be original.
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and all y all will get me 100 nazi scalps taken from the heads of 100 dead nazis, or you will die trying. nein, nein, nein! quentin tarantino, there is just stuff in all his screenplays, like inglourious basterds, that extrapolate on things that should not land as cleanly as they do. tarantino in the 2000s is giving us the ending to the story that we wish history had given us with inglourious basterds and django unchained. the bad guys in history lose. he had the singular ability to write these original movies that were often very violent, but they were also referencing
premiere at the cannes film festival, but he d laboured on the script for four years long before squid game. translation: i actually had no ambition for directing. - in korea, most directors write their own screenplays and i had no faith in my ability to write my own, so i actually wanted to give producing a try, because i ve been acting for 30 years, so i thought maybe producing would be possible, so i bought the rights for the original script and then i tried to find a director and writer to help me fix the screenplay and direct. it took me four years to write my own scenario and because i worked so hard on it, i thought maybe i know best how to do it, so i picked up my courage and decided to direct this as well. for those who prefer korean arthouse, japanese auteur hirokazu kore eda shot his latest film broker in south korea. song kang ho of parasite fame is the lead actor here again, and after he was awarded the cannes film festival best