oh, well, uh, i ll take the first class. class has always played a role in the history of sitcoms. bon voyage laney. class is fascinating to us as a culture. i never check my baggage. i can t stand that wait, baggage area. it s good to laugh at it, to get it all out on the table you re going to have to go back to your seat. you know, our goal should be a society without classes! if we didn t laugh about social class in the united states, we would engage in class warfare. do you realize the people up here are getting cookies?! mmm! that is not a show about nothing. oh, come inside. so, to the left we have the bar, to the right we have the bathroom. oh, we have bathrooms upstairs, downstairs, many, many bathrooms. i do still believe that for all the things going on in our current society in america, you can come from anywhere and end up any place you want. immigration? revenue. [ screams ] i ve been gutted! it s crazy, people are just, like,
i suppose, to the outsider, we might seem a little unorthodox, but what does this outsider know anyway? who is he to judge us? the whole notion of the outsider. i mean, it s a strand that goes through most sitcoms, i think. you took tongue right out of my mouth. outsiders help us relate as an audience. what are you some kind of nerd? i m not some kind of nerd, i am the king of nerds. [ laughs ] they re seeing everything with fresh eyes. you rang? that dynamic is pretty awesome, it s special. that confidence really made people feel like they could be okay to be whoever they are. did i do that? and i think, if i believe in who i am and own it, i can still be cool. hello? anybody in there? fly, be free! the absolute essence of a successful sitcom is one word, and that is emotion. we abolished emotions on ork a billion bleams ago. they took a vote, and everyone said all in favor? eh. we have a great love for these alien characters who were st
we re going to stick up for the town that we live in and own our circumstance. and that town you passed through, it s not called schittsville. it s called schitt s creek, and it s where we live. over time, schitt s creek ends up being a really optimistic comedy about class. because it acknowledges that class doesn t have to be a permanent divide. oh, my god. oh, my god. okay. this is not okay. what are you guys doing here? tonight we are dancing as a family. what is happening? we never wanted the town to be the butt of the joke. in fact, that s why we made this town so accepting. the town is the goal. it s the family that had a lot to learn.
something in agriculture, by the looks of it. you then start to see the judgment that upper class has on lower class. roland is actually the mayor of our town. oh. not shitsville i hope. what do you even call someone from shitsville? a shitter? okay, you know what? and that sparked a change in johnny rose. we re not going to side with our wealthy friends. you wrote us off, don. not a phone call, not a nickel. roland and jocelyn here could not have been more generous with what little they have. we re going to stick up for the town that we live in and own our circumstance. and that town you passed through, it s not called shitsville, it s called schitt s creek, and it s where we live. over time, schitt s creek ends up being a really
it s where we live. over time, schitt s creek ends up being a really optimistic comedy about class. because it acknowledges that class doesn t have to be a permanent divide. oh, my god. oh, my god. okay. this is not okay. what are you guys doing here? tonight we are dancing as a family. what is happening? we never wanted the town to be the butt of the joke. in fact, that s why we made this town so accepting. the town is the goal. it s the family that had a lot to learn.