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Mank: Sole author or just another citizen in Welles army?
No matter how lofty one’s stature as an artist or how impeccable one’s list of accomplishments, there will always be someone out there sporting a pair of steel-toed loafers for the soul (and sole) purpose of booting a deity from the Pantheon. ‘Tippi’ Hedren built a career off of bad-mouthing Alfred Hitchcock. Reviews of Jerry Lewis’ movies read like critical contract killings. But not even the
National Enquirer could have concocted a slam as spurious and mean-spirited as the one Pauline Kael leveled against Orson Welles. And David Fincher’s
hello, and welcome to the film review with me, mark kermode, rounding up the best movies available for viewing in cinemas and in the home. one of the most intriguing films at last month s bfi london film festival was possessor, the second feature from canadian writer director brandon cronenberg. set in an alternate 2008, this enjoyably squishy sci fi thriller features andrea riseborough as tasya vos, an assassin working for a sinister industrial espionage company who transplant the consciousness of their agents into unwitting hosts to carry out covert hits, like a much nastier version of inception. for her latest assignment, vos possesses the body of colin tate, played by christopher abbott, effectively doing an impression of andrea riseborough doing an impression of christopher abbott. think of the ‘80s comedy all of me, in which steve martin s body is accidentally filled with the soul of lily tomlin. then try and imagine that movie directed not by carl reiner, who made kn
now on bbc news, it s time for the film review. goodbye. hello and welcome to the film review with me, mark kermode, rounding up the best movies available for viewing in cinemas and in the home. one of the most intriguing films at last month s bfi london film festival was possessor. the second feature from canadian writer director brandon cronenberg. dramatic ambient electronic music plays. set in an alternate 2008, this enjoyably squishy sci fi thriller features andrea riseborough as tasya vos, an assassin working for a sinister industrial espionage company who transplant the consciousness of their agents into unwitting hosts to carry out covert hits. like a much nastier version of inception. for her latest assignment, vos possesses the body of colin tate, played by christopher abbott, effectively doing an impression of andrea riseborough doing an impression of christopher abbott. think of the ‘80s comedy all of me, in which steve martin s body is accidentally filled with
that it is entertainment. very quickly, there has been praise this week by the fact that one of the subjects tackled in the the crown was bullying and the fact that there we re very was bullying and the fact that there were very graphic and how they showed it and it got people talking because it was a subject that was prevalent then and highly prevalent now. and there is a great argument for putting issues like that, whether it s alcoholism in the arches or whether abuse or whatever it is come into popular television. i have american friends who actually think that this is a documentary. but i agree with nigel that it is entertainment and everything you watch is a dramatisation is based on some factual things but with a certain amount of poetic licence. so sorry but we have run out of time. thank you very much and enjoy the rest of your weekend and thank you for watching. that is it from the team. cheerio. hello, and welcome to the film review with me, mark kermode, rounding