This online exhibition offers an in-depth look into the novel pedagogy of the Bauhaus, highlighting student explorations, masters’ theories, and a variety of colorful media drawn from the Getty Research Institute’s archives.
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The idea of integration between art and architecture dates back to the very origin of the discipline, however, it took on a new meaning and social purpose during the Avant-Garde movement of the early twentieth century, becoming one of the most defining characteristics of Modernism. This close relationship is evident in the works of some of the greatest modern architects, such as Mies van der Rohe, Le Corbusier, and Oscar Niemeyer, to name a few.
Needless to say, modernism emerged from an expectation of moral and material reconstruction of a world devastated by war, serving as a tool to strengthen a collective identity and, consequently, the bond between the city and its inhabitants. In this context, artistic expression is used as a tool to shape the emotional life of the user, to which art and architecture combined can give a new meaning, offering a place that represents a sense of community, in addition to function and technique.