Trying to make Opera Fit For The Future by being a pioneer in sustainability. We were the first Arts Organisation to put up a wind turbine. Were running on wind. Glyndebourne, as an icon in operatic sustainability, has really got a very strong place. And glyndebourne is embracing a drive towards greater diversity. Its about making sure that Diverse Communities have access to opera. If we keep opening the door, more people will come into it. But does innovation, sustainability and diversity matter, or do audiences really only care about great Opera Performances . Let me take you to the opera. Glyndebourne in sussex, about 150 kilometres south of london, is a popular destination for thousands of opera lovers every year. They sing operatically. As well as opera, audiences can take a stroll, have a picnic in the beautiful grounds, they can visit a magnificent stately home and admire Contemporary Art at the sites gallery, which this season features the Award Winning artist lubaina himid, wi
Is losing its relevance for new audiences and whether he thinks its making itself fit for the future. I think every major opera house wants to entice younger audiences. It must do everything and be open to the interests of many different people. Let me take you to the opera sir Antonio Pappano, or tony, as he prefers to be known, has the Signature Flair of his italian roots, combined with a detailed knowledge of music that has made him one of the most popular conductors of our age. Tony has been in so much demand that over the last two decades hes simultaneously held two leading posts Music Director at the Santa Cecilia orchestra in rome and at londons Royal Opera House. Hes such a unique personality as well as a wonderful musician and artist. Theres that inimitable fire, that unquestioning commitment that he brings to every single performance that he does here. Its that level of passion which really comes across. Cheering and applause he steps down from his post in rome in september 2