Me. So that was a yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is almost actually immaterial in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized stem projects so. And it really fascinating to actually create an environment where the audience is inside the sound so often i miss a little way they do right to a lot of normal stage works or chamber where sort of pieces but is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of James Joyces Ulysses the monologue of molly bloom this very life affirming monologue tell u
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