kramer: take one! jerrrry: no! krkramer stop p it! jajason alexanander: and boom, ththere you gogo, a situtuation comemedy. sheldodon: bazingaga! tim allelen: this twtwenty -t-three minututes of magic. lucycy: it s soo tasty, too! tracy morgan: you fell in love with these characters. arnold: whwhat chu talkin about willllis? geri jewell: we need to laugh at ourselves. joey: yoyou hide my y clothe, i m wearining everything you ow. constance e wu: lalaughter o opens you u u. haley:y: okay ready? sururpri! [screamingng and chaosos] mara b brock akil:l: the thinings that wewe might bee afraid to o talk aboutut. bobow: some pepeople thatt were supposed to protectct us d didn t do the right t thing. tim reid: like racism. son: so ththe cops are the babad guys? dre: yeses. bow: n no. kim m fields: clclass wars ralplph: money!! i m a a millionairire. dadan levy: anand gender diverersity. sarah:h: dad? mamaura: hi girls.s. ted dansnson: you cacan reach id rereally touchch people s
jerry: where d you get those? kramer: the machine. you want one? jerry: no. henry winkler: you come home, turn on that television. kramer: take one. jerry: i don t want one! kramer: no there good. jerry: i don t want it. henry winkler: what do you want? you want comedy. kramer: take one! jerry: no! kramer stop it! jason alexander: and boom, there you go, a situation comedy. sheldon: bazinga! tim allen: this twenty -three minutes of magic. lucy: it s so tasty, too! tracy morgan: you fell in love with these characters. arnold: what chu talkin about willis? geri jewell: we need to laugh at ourselves. joey: you hide my clothes, i m wearing everything you own. constance wu: laughter opens you up. haley: okay ready? surprise! [screaming and chaos] mara brock akil: the things that we might be afraid to talk about. bow: some people that were supposed to protect us didn t do the right thing. tim reid: like racism. son: so the cops are the bad guys? dre: yes. bow: no. kim fields: cla
steven: hi chipper. robbie: hi squirt. chip: hi cats. barry livingston: my three sons was the first show that deviated from the perfect pleasantville nuclear family. ernie: you gonna blow up the stove again mr. douglas? steve: no ernie, i don t think i ll make that same mistake again. [laughs] [small expolsion] barry livingston: it was a show about a single dad. he was a widower with three boys, trying to raise them in an all-male household. chip: you dry. barry livingston: everyone had to do something. everyone had to pitch in. we did dishes, you know, we were darning socks. these are things that you never saw in the ozzie and harriet show or donna reid or leave it to beaver. [phone rings] mike: hey that s mine, i ve got it! bob saget: when you watch a show that s based on losing someone. steven: come on, look out. you re going to tear it. bob saget: that adds a deep-rooted truth to the hardness of life. and then it gives comedy even more of a reason to go as crazy as you want to go.
what family looked like and what was acceptable and what wasn t. steven: hi chipper. robbie: hi squirt. chip: hi cats. barry livingston: my three sons was the first show that deviated from the perfect pleasantville nuclear family. ernie: you gonna blow up the stove again mr. douglas? steve: no ernie, i don t think i ll make that same mistake again. [laughs] [small expolsion] barry livingston: it was a show about a single dad. he was a widower with three boys, trying to raise them in an all-male household. chip: you dry. barry livingston: everyone had to do something. everyone had to pitch in. we did dishes, you know, we were darning socks. these are things that you never saw in the ozzie and harriet show or donna reid or leave it to beaver. [phone rings] mike: hey that s mine, i ve got it! bob saget: when you watch a show that s based on losing someone. steven: come on, look out. you re going to tear it. bob saget: that adds a deep-rooted truth to the hardness of life. and then it give
(off camera): aww, thanks mom! pamela adlon: better things is about a single mom who is raising her three daughters on her own. max: you re my mom, i want you to know if i have sex or i want to get high. pamela adlon: it s dirty, it s funny. sam: no! hide things from me please! emily vanderwerff: better things is a fascinating example of the ways that the family sitcom has adapted to the 21st century. frankie: mom, where s the broom? sam: what are you being, a witch? frankie: no, i m going to be a useless housewife from the 50s. sam: i love that! dan levy: throughout the years, the boundaries have been pushed back and the walls have come down. if you look back to the 50s, there was a lot of confines on what family looked like and what was acceptable and what wasn t. steven: hi chipper. robbie: hi squirt. chip: hi cats. barry livingston: my three sons was the first show that deviated from the perfect pleasantville nuclear family.