As I pointed out in VDARE in 2002, the greatest accomplishment by an American woman sculptor is Malvina Hoffman’s spectacular
Races of Mankind collection created for Chicago’s Field Museum of Natural History Museum.
Now you might think that in an age constantly on the look out for female talent of the past, this would be honored. But from the late 1960s onward, Hoffman’s immense set of over 100 bronzes was broken up and intentionally insulted and denigrated by the museum for ideological reasons, for failing to bow down to the anti-human biodiversity dogmas of the late 20th Century. For example, the life-size 6’8″ Nuer Warrior bronze was displayed down in the basement utility room next to the Penny Squeezer machine.