my name is sam flemming and i am the associate costume designer for phantom and i have been with the show since 1989. we did a count about four orfive years ago and at that point we determined about 7000 individual costume pieces were here, so there is a lot. we did not even count the hats and shoes. this is meant to set the stage for everything you are meant to see for the next two hours and 20 minutes. this is the level of decor and texture. this is like a cage so i have a lot of steel going around here. but makes me very upright which is great. there is definitely something that happens to you as a performer, no matter what happens in the day and once you start the process of getting dressed and putting your make up on, you stand in the wings and the orchestra starts, something just takes over and it all
you re about to see for the next two hours and 20 minutes. this is the level of decor and texture. this is like a cage, so i have a lot of steel going around here, but it makes me very upright which is great. upright, which is great. there s definitely something that happens to you as a performer, no matter what happens in the day and once you start the process of getting dressed and putting your make up on, you stand in the wings and the orchestra starts, something just takes over and it all falls into place. i guess it s theatre magic. i was just finishing another show and i hadn t seen my daughter. in a while and then i got this audition through my agent, i
but makes me very upright, which is great. there is definitely something that happens to you as a performer, no matter what happens in the day, and once you start the process of getting dressed and putting your make up on, you stand in the wings and the orchestra starts, something just takes over and it all falls into place. i guess it is theatre magic. i was just finishing - another show and i had not seen my daughter in a while, and then i got this audition . through my agent, and i said no, i do not want to do that. | he stopped and turned around in his chair and said ben, - if you do not do the auditionj you will regret it for the rest of your life. i figured a good way- of getting out some emotions was to tell my daughter how important it would be - if i were to get the job.
we did a count about four or five years ago and at that point we determined about 7000 individual costume pieces were here, so there is a lot. we did not even count the hats and shoes. this is meant to set the stage for everything you are meant to see for the next two hours and 20 minutes. this is the level of decor and texture. this is like a cage so i have a lot of steel going around here. but makes me very upright which is great. there is definitely something that happens to you as a performer, no matter what happens in the day and once you start the process of getting dressed and putting your make up on, you stand in the wings and the orchestra starts, something just takes over and it all falls into place.
of getting dressed and putting your make up on, you stand in the wings and the orchestra starts, something just takes over and it all falls into place. i guess it is theatre magic. i was just finishing another show and i had not seen my daughterl in a while and then i got this audition through my agent, i and i said no, i do. not want to do that. he stopped and turned around in his chair and said ben, - if you do not do the auditionj you will regret it for the rest of your life. i figured a good way- of getting out some emotions was to tell my daughter how important it would be - if i were to get the job. and i got the panic attack out - of my system and literally the phone rang and it was my agent telling me i had it. - it is a frustrating thing, -