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The best films to watch on a Tier 4 Christmas day
The Bishop s Wife – a perfect festive film
As many adverts have told us, Christmas will be a bit different this year. There will be people we won’t be able to see, and celebrations we won’t be able to have. However, one thing that 2020 can’t take from us is our favourite Christmas films.
Whether you like them as sentimental, dramatic, funny, or action packed, we all have a selection of films that have become as much a part of the tradition as mince pies and Shakin’ Stevens. Here are our ten favourite Christmas films and where to find them should you need a little bit of vicarious Christmas cheer.
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We grill our favourite people on the books that changed their life…
As part of our new Shelf Life interview series, we’re speaking to some of our favourite names to find out which books they treasure – the ones that have shaped them into the people they are today. Here, Leona Lewis – whose 2013 single One More Sleep is currently enjoying its biggest year since its release – tells us about the five books that mean the most to her. For the full interview, head over to Instagram.
“My mum is an Ayurvedic practitioner and Ayurveda is one of the oldest forms of self-healing and wellbeing – both emotional and physical. It’s thousands of years old and my mum studied it for years and actually bought me this book for Christmas. It goes through what Ayurveda is, how to use it practically in your day-to-day life and talks about natural remedies for anything from a common cold to a bite or scratch. A lot of it you can even find in your kitchen – different herbs or things you c
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Last modified on Thu 28 Jan 2021 06.36 EST
Forget It’s a Wonderful Life. Forget Miracle on 34th Street. Forget (please God, forget) The Holiday. There is only one definitive Christmas movie, and that is The Muppet Christmas Carol. Not only is it the best Christmas film, but it is the best screen adaptation of the Charles Dickens novella – though this has had the unfortunate side-effect of convincing a generation of children that Marley had a brother called Robert.
“The Marleys were dead, to begin with,” that’s how Gonzo, our self-professed “omniscient” narrator (this film really doesn’t talk down to children), begins the metanarrative. His companion Rizzo the rat, meanwhile, is mainly “here for the food”, and says what we are all thinking: “A blue, furry Charles Dickens who hangs out with a rat?” Yes, indeed, that is the setup. In a postmodern stroke of genius, Rizzo acts as a sort of Greek chorus with a New York accent, enduring a series of slapstick mishap
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