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December 30, 2020 • Noemi Smolik on “Russian Avant-Garde at the Museum Ludwig: Original and Fake” View of “Russian Avant-Garde at the Museum Ludwig: Original and Fake,” 2020–21. Two works attributed as Alexandra Exter’s Kostümentwurf “Herodes,” 1921 and 1917 respectively. WHAT HAPPENS when a painting is unmasked as a forgery? The colors, the forms, and the brushwork remain the same, and yet, everything has changed. The spell of authenticity, related to what Walter Benjamin called an artwork’s “aura,” has broken. A taboo-shattering exhibition organized by Rita Kersting and Petra Mand at the Ludwig Museum in Cologne, titled “Russian Avant-Garde at the Museum Ludwig: Original and Fake” and on through February 7, seeks to pick up the pieces, provocatively pairing

Rostovskaya oblastCzech republicNordrhein westfalenHubertus gassnerCamilla grayYilmaz dziewiorMikhail larionov rayonismPeter ludwigWalter benjaminPetra mandtTretjakov galerieNoemi smolikOlga rozanowaOlga toporowskijOlga rozanovaDiana reese