The Sum of It is Alison Elizabeth Taylor’s career survey of forty-one41 large combination works and one immersive installation. It fills five rooms, the central exhibition hall, and the entry rotunda of the Addison Gallery of American Art, which features an eponymously titled self-portrait (2017), showing Taylor photographing herself in the mirror above the vanity in a rainbow-tiled bathroom—an appropriate metaphor for her organized vision and preference for both slices of her own life and the American mundane vividly rendered.
From the first-ever L.A. museum exhibition of Keith Haring’s work to a three-day LGBTQ+ music festival, here are all the artsy ways to celebrate Pride.
From Supervsn's new flagship to Dior at the Beverly Hills Hotel, there's plenty of happenings to cut and paste from the Drip Index into your mobile organizer of choice.
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LAST TUESDAY NIGHT, the LA art world converged on Western Avenue just south of Melrose among a strip of futon stores, smoke shops, and gas stations to witness the unveiling of David Zwirner’s new outpost. The block was mobbed as I arrived with the artist Larry Johnson. “Oh my god,” he whimpered with incredulity. “This is where it is? I spent my whole life on Western Avenue . . .”Located at the conflux of Hollywood (a few blocks from the Paramount Lot) and Koreatown, this stretch of Western was once a hotbed for seedy gay bars (Larry favored the Black Lite) and still is for sex work (it’s not