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WHAT A DIFFERENCE A DAY MAKES! Or in the case of my recent two-part trek to the Kitchen to experience multidisciplinary artist Sadie Barnette’s installation-as-performance-site The New Eagle Creek a couple of weeks. Presented in collaboration with the Studio Museum in Harlem, Barnette’s work (or the beginning of it) is a shimmering recreation of her father Rodney Barnette’s now-shuttered San Francisco watering hole, The New Eagle Creek Saloon (1990–1993). The establishment held special significance as the first Black-owned gay bar in the area, a response to the urgent need for a non-discriminatory