although they are geopolitical rivals, they are kind of i9th century people who understand each other. president erdogan doesn t lecture putin about human rights or democracy or anything, they basically cut deals, and we think that is helpful and it may open the door to an inspection of the zaporizhzhia nuclear plant, which is very important right now. ., ., ., ~ which is very important right now. ., ., .,~ , now. you have worked closely with president now. you have worked closely with president erdogan - now. you have worked closely with president erdogan and i now. you have worked closely| with president erdogan and mr putin before, and he is notoriously difficult to negotiate with. notoriously difficult to ne . otiate with. , negotiate with. putting needs someone in negotiate with. putting needs someone in the negotiate with. putting needs someone in the nato - negotiate with. putting needs someone in the nato camp i negotiate with. putting needs| someone in the nato camp he n
nevertheless, erdogan has a touch with putin that most western leaders do not have. in some respects even though they are geopolitical rivals, they are geopolitical rivals, they are kind of i9th century people that understand each other. erdogan does not lecture putin about human rights, they basically try to cut deals. that helps in a situation like this and we think it may open the door to at least a un migratory inspection of the zaporizhzhia plant. you have worked closely zaporizhzhia plant. you have worked closely with - zaporizhzhia plant. you have worked closely with vladimirj worked closely with vladimir putin and erdogan. putin is notoriously difficult to negotiate with. what might erdogan have over him in terms of leveraged? of leveraged? putin need somebody of leveraged? putin need somebody in of leveraged? putin need somebody in the - of leveraged? putin need somebody in the nato . of leveraged? putin need i somebody in the nato camp of leveraged? putin need - somebo
i will leave that to brian because he understands it, and in that level of detail, i don t! it is like the i9th century question! in terms of the effect of this, this is part of brexit, which is not quite finished yet. can you explain that aspect of its? well, it is not quite finished yet because the british government has left this as an open wound that is a festering and festering, and it has been there since the very beginning. essentially, what britain is claiming is the right to undermine the fiscal market, the european single market and this is something that is essentially, that breaks in does not give it the right. the european union has been extremely flexible in it the interpretation of the single market, it has been a very sensitive to the peace process
an arrival from next door, but which is now another world. the overnight train from kyiv pulled into eastern poland today, carrying europe s neighbours, seeking safety from russia s bombs. it took us 52 hours to get here. kateryna leontieva and her daughter came from kharkiv, in eastern ukraine, as the missiles rained down on her city. how did it feel, having to leave your homes? i don t know yet. i m, yeah. like, tears arejust coming, you know? i think i didn t feel anything then, and i m starting to realise, yeah. but i hope it s just a short time trip and we will be back soon. the i9th century train station at przemysl is now a modern refugee reception centre. those arriving welcomed with open arms before travelling on around poland and europe. among them, irene and her children, her husband left behind to defend
it s a breakdown of at least three things. no live ammunition on a set, and pointing a firearm at a person, still not allowed on a set even during the shooting, you know, the filming of it. and finger on the trigger when it shouldn t have been. well, you touched on it there. what are the normal working practices around guns on sets and what are your thoughts about what appears to have gone wrong here? well, when you re actually using an actual firearm to fire blanks with, there s absolutely no live ammunition allowed on the premises, on the set, in any way whatsoever. secondarily, the firearm handler, the weapon handler or the armourer, is to keep eyes on that weapon and have complete control of it, especially when it s transferred from the armourer to the actor or the talent. it goes directly from the armourer who that, only after having checked it and inspected that weapon, and in a single action revolver, a i9th century firearm like this, the inspection of that weapon is critical be