Senate in 1919 and ratified in 1920. Here we are 100 years later. The 116th congress has the highest the percentage of women making up roughly a quarter of each chamber. And we have a female speaker for the second time. And we have four women so far running for president. Todays panel will look at women, the role of women and the key turning points for women in american politics. I want to introduce our panelists and then well come back through and have each of them talk about the books or the period of time they are writing about for about five minutes. And then well open up the conversation to all of you. So when we get to that point for questions, id like each of you to go to the microphone, line up behind the microphone to ask your questions. So let me introduce you to david perry, working at the university of minnesota. Hes a descendant of elizabeth. She was a historian and wrote a boom about book about feminism politics. David helped publish his mothers final book after the vote.
[ thunder rumbles ] [ bird caws ] im jamie colby, and today im in rolling meadows, illinois. Its a suburb of chicago. Some weather, huh . Im here to meet two brothers whose strange inheritance had some serious strings attached. My name is justin snyder. And in 2006, our friend and mentor bill fosser passed away, leaving my brother and me a sort of Chicago Institution his puppet opera. Hi, justin. Im jamie. Jamie, nice to meet you. Im told that you have something that i may never see again. Here, follow me. I will. Justin leads me behind the scenes of a most unusual opera house. All these boxes here contain costumes for various, different productions. Wow this is my kind of wardrobe. If only it came in my size. The costumes are so small because the players taking the stage arent the supersized tenors and sopranos you expect to see at the opera. Theyre 16inch puppets. The maestro behind this pintsize production, justins boss, the late bill fosser. Who was bill fosser . Bill fosser taught
Road to civil war. Joanne freeman, youre going to hate this opening question. Trace the arc of our nations history. From 1783 to 1861, the political history of our nation. Wow, i will use the word hate. Back is a little daunting. Trace the art. Im to do the historian thing and speak generally. I guess it would save your looking an american in politics, from the beginning straight through, we could even go past the civil war, youre talking about paradoxes and conflict and prop. The period that i tend to focus on is the early part of the arc, and its the improvisational nature of the the really fascinates more than anything else. The nation was founded in a world of monarchy. The United States was a republic. What the means was was not clear at the moment and people knew the they were trying to do something the wasnt act. Were not going to be creating monetary and the president isnt going to be a king but beyond the there was open ground. Theres a lot of improv in those early decades abo
They period i can to focus on whittemore the early part of that art and its the improvisational nature of that the really fascinates me more than anything else but its because the nation was founded in a world of monarchy, and the United States was a republic. What that means wasnt so clear at that moment, and people knew there their target something that wasnt that. Were not going to degrade a monarchy of the president is not going to be a king, but beyond that there was g a lot of open ground. Theres a i lot of improv in the early decades about what the nation is, how it functions, the tone ofun the government, how ts nation is going to stand amongst the nations of the world of the kinds of nations. What does it mean to be a republic in the world of monarchies . How was this patient going to any degree of respect, and equally if not more significant as far as the inside of that nation is concerned, what condition is a going to be . That is true, the question is on every level you can
And this program, they to scouts hurt created before and after the war including paintings of Abraham Lincoln, the irish brigade, and battle scenes. This conversation took place on line and the New York Historic Society provided the video. We are continuing our conversation that argues that objects have the power to convey historical events and to help us understand the passed. This idea inspired your book, the civil war in 50 objects. This evening, we will be looking at five objects from the book and related exhibition grouped around the theme of the art of war. These works are all very different and have very different background stories. We have the return of the 69th irish regiment, a caricature of lincoln writing the emancipation proclamation, the lincoln family by carpenter, victors painting an episode of war, as well as some prison art. First, lets look at the relationship between war and art, harold. Did war stimulate art in america . Did our change the romantic image of war .