Attending a new play festival is like celebrating your birthday, or Christmas: these unknown plays are nicely wrapped gifts; you have no idea what’s inside until you open them. With a new play festival, you’re seeing brand new plays that have never been produced, not familiar plays you may have seen elsewhere before. Other than
Attending a new play festival is like celebrating your birthday or Christmas: These unknown plays are nicely wrapped gifts; you have no idea what’s inside until you open them. With a new play festival, you’re seeing brand-new plays that have never been produced, not familiar plays you may have seen elsewhere before. Other than the
PHOTO COURTESY Attending a new play festival is like celebrating your birthday, or Christmas: these unknown plays are nicely wrapped gifts; you have no idea what’s inside until you open them. With a new play festival, you’re seeing brand new plays that have never been produced, not familiar plays you may have seen elsewhere before.
So much in the Butterfly Effect Theatre of Colorado’s latest production, Mat Smart’s “Eden Prairie, 1971,” shines a spotlight on the many pleasures the Boulder company has offered audiences under the stewardship of artistic director Stephen Weitz and managing director Rebecca Remaly.