Vancouver-based pianist Nathan Shubert (they/them) invites us into their world, which seems quite melancholy at first, but there is a simplicity and comfort that is found within. Despite the absence of Shubert’s voice, their remarkable talent speaks for itself. Their artistry is apparent in how they use music to express feeling and emotion. The solitude, softness, euphoria, and calm that covers the album is just the beginning of what can be discovered. The music’s experimentation frees the album, creating a whole new sonic dimension. The ominous first track “Shallows” leaves the listener curious and eager to see what can be uncovered. It is the perfect introduction to The Moon From Here as it leaves the listener wanting more, but also unsure where the musical journey will take them. I do not often listen to music without vocals, but this absence was very serene and refreshing for a new listener of Shubert’s work. The album shifts with the