both, but particularly andre, becoming more obsessed with a kind of adventurous landscape of music. yeah i m afraid like i m scared as a dog serious hip-hop already knew about outkast. but then they come out with an album, speakerboxxx and the love below. and they have this song they called hey ya! one, two, three, unh! my baby don t mess around because she loves me so and this i know fo sho it s barely a hip-hop song, really. i m not sure what it is. but it s got this kind of frothy 60s vibe. it sounds like something that, you know, motown might have put out when they were doing their sound of young america. hey ya hey ya next thing you know, everyone is singing this one line, shake it like a polaroid picture. here we go shake it shake shake it shake it shake it like a polaroid picture polaroid was the instant camera and the picture came out.
and for some strange reason, as the image was was forming, people would do this. they would shake it, as if that was going to make it happen faster. so he says that line in the song, and suddenly everyone s doing that. and you have this sort of cultural moment that everybody feels they need to be part of. now you know you ve really tapped into something, and that s what outkast did. if you re going to do anything do it all the way. do it 100%. don t pull the thing out unless you plan to bang, you know. that s basically what it s saying.
nation everything isn t meant to be okay it was kind of like a rock opera. you had to listen to it from front to back, because it told the entire story of what was going on in the decade. wake me up when september ends the fear of terrorism. the media. the wars. people being sent off to fight. here comes the rain again rock wasn t all that surprising in the 2000s. so when you got something like american idiot it was, wow, this is unexpected. this is shaking things up a little bit. wake me up when september ends (grandmother) thank you for taking me home. it s so far. (young woman) don t worry about it, grandma! this ll be fun. (young woman) two chocolate milkshakes, please. (grandmother) make it three. (young woman) three? (grandmother) did you get his number? (young woman) no, grandma! grandma!! (grandmother) excuse me!
about the best there is. you got that? timbaland really pushed the envelope. it s very much black futuristic music. is it worth it let me work it put my aim down and reverse it that music, a lot of it was space age driven. i m bringing sexy back them others don t know how to act odd sounds that reflect his own inner ear vision. i said it s too late to apologize it s too late timbaland was a little more technologically dense and ethereal, whereas pharrell wasn t as out there. he did like dance tracks. i said it s getting hot in here so take off all your clothes i am getting so hot, i want to take my clothes off it was a little more gritty.
one two three my baby don t mess around because she loves me so and i know for sure it s barely a hip-hop song, really. i m not sure what it is. but it s got this kind of frothy 60s vibe. it sounds like something motown might have put out when they were doing their sound of young america. hey ya hey ya next thing you know, everyone is singing this one line shake it like a polaroid picture. shake it shake it shake it like a polaroid picture polaroid was the instant camera, and the picture came out, and for some strange reason as the image was forming people would do this. they would shake it. as if that was going to make it happen faster. so he says that line in the song, and suddenly everyone s doing that. you had this cultural moment that everybody feels they need to be part of. now you know you ve really tapped into something, and that s what outkast is. if you re going to do