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The Avalanches Melbourne Show Was Glorious, But Had One Big Mistake

The Avalanches celebrated and reframed their legacy on Friday - but one big omission left fans confused. We missed you too. Sign up to our newsletter, and follow us on Instagram and Twitter, so you always know where to find us. The third album by The Avalanches, We Will Always Love You, arrived as a glimmer of light at the end of a long, dark, COVID-infected tunnel. Its boundless optimism was a panacea for the Australian music community still reeling from its annus horribilis and it was a surprise to no one that the pair nabbed the J Award for Album of the Year. I think I can speak for a lot of people in Australia when I say we fucking needed it.

Et je remets le son : Dans les studios

Et je remets le son : Dans les studios
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The Avalanches – We Will Always Love You review: back in the saddle

Credit: Grant Spanier The old adage that ‘good things come to those who wait’ is, in general, curiously untrue when applied to album delays (see: Guns N’ Roses’ often-derided ‘Chinese Democracy’). Yet sampling heavyweights The Avalanches followed their era-defining debut, 2000’s ‘Since I Left You’, with the  genre-shuffling ‘Wildflower’ – which arrived a full 16 years after its predecessor. Yet, incredibly, ‘Wildflower’ lived up to the weight of heavy expectation, further proving that the exalted Melbourne duo’s first record was no mere fluke. Robbie Chater and Tony Di Blasi’s status as top-tier musical collagists was solidified thanks to some of the last decade’s most infectious, life-affirming tracks (we’re looking at you, ‘Frankie Sinatra’ and ‘Subways’). With album three completed in a mere quarter of that time, the group’s near-mythic reputation is further illuminated with

The Quietus | Features | The Lead Review | Starry Messengers: The Avalanches Return With We Will Always Love You

Matthew Horton , December 10th, 2020 09:52 The Avalanches set controls for the heart of fun on their new album featuring a bevy of special guests, including Sananda Maitreya, Vashti Bunyan, Blood Orange, Rivers Cuomo and Pink Siifu In 1977, NASA launched the Voyager space probes into the cosmos, sending with them the famous Voyager Golden Record, a two-disc phonographic time capsule summing up a culture, a species, a planet’s worth of biodiversity. Those slabs of audio-visual gold are out there somewhere in interstellar space, waiting to entertain aliens starved of a cut of prime Chuck Berry. No need for a difficult second album yet.

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