‘Going to the pictures is nothing to be ashamed of,’ insisted the film writer Iris Barry in 1926. But it certainly wasn’t something to be proud of, either. To the cultural cognoscenti of the 1920s, Barry admitted, the cinema was barely an art at all – about as aesthetically significant as ‘passport photography’. And for
Corrado Cagli, an artist of the 1920s through the 1970s, is still defying categories like “Italian artist” or “gay artist,” as a show at the Center for Italian Modern Art reveals.
In addition to its impressionist matchup “Manet/Degas,” the Met unveiled Lauren Halsey’s spectacular new rooftop installation. Our critics weigh in on this year’s most thrilling shows.
Despite the bad reviews the Bjork exhibition at New York’s Museum of Modern Arts (MoMA) has received, Reykjavik mayor Dagur Bergthoruson Eggertsson would love the show to come to the Icelandic capital.