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G.A.N.G. Awards Winners: The Last of Us Part II Leads With Eight Wins
Antonio Ferme, provided by
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The Game Audio Network Guild announced the full list of its 19th annual G.A.N.G. Awards winners for 30 categories in music, sound design, dialogue, mixing and more.
Co-hosted by composers Rachel Robison and Cody Matthew Johnson, the virtual event was streamed live on Twitch.tv for the second year in a row. “The Last of Us Part II” took home the most awards of the night with eight wins including audio of the year, followed by “Ghost of Tsushima” with five wins. Composer Gordy Haab, who won the music of the year award for his work on “Star Wars Jedi: Fallen Order,” received the titular prize for the second year in a row for composing the score for “Star Wars: Squadrons.” With three wins, “Hades” was the indie game to take home the most awards.
Final Fantasy VII Remake s Amazing Soundtrack Is Now On Spotify And Apple Music
With over 156 tracks to listen to, Final Fantasy VII Remake s hefty soundtrack should keep your ears occupied for quite a few hours.
Final Fantasy VII Remake s excellent soundtrack has been released on Spotify, Apple Music, Amazon Music Unlimited, and several other music subscription services, and it s a massive number of tracks to listen to.
At over eight hours in length, the 156-track compilation which consists primarily of arrangements from longtime Final Fantasy composer Nobuo Uematsu and new tracks by Masashi Hamauzu and Mitsuto Suzuki, should keep your ears occupied for a while.
Welcome to Morning Music,
Kotaku’s ongoing hangout for folks who love video games and the cool-ass sounds they make. Today I’m going to gush about just how amazing
Final Fantasy VII Remake’s music is, and specifically a few of its new tracks that weren’t in the original.
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It took me a while to get into
Final Fantasy VII Remake (YouTube / longplay / VGMdb), and even longer to come around to its complex arrangements of the original’s often stunningly simple and deeply affective PlayStation tracks. But eventually both won me over. The music, like the game, is layered like sheets of sedimentary rock that take years of history and put it neatly on display for you to appreciate, analyze, and digest in the present. Here’s the new version of “Shining Beacon of Civilization” which first plays when Jessie explains the layout of Midgar to Cloud following the game’s opening bombing mission:
Midnight In A Perfect World: Lena Raine
Seattle-based electronic musician
Lena Raine is an acclaimed composer/producer best-known for her soundtrack work on popular video games who has also recently made waves with her own solo cinematic albums of whimsical electronic music. Working behind-the-scenes on video game soundtracks for nearly a decade, her soundtrack for the award-winning 2018 video game Celeste became a massive underground success story and cemented her status as one of the premier contemporary video game composers. Outside of her video game soundtracks, Lena released her official solo debut full-length album
Oneknowing in 2019 through the British label Local Action Records, who also released a diverse remix collection of the album titled