the bbc can t verify that figure, but understands many children have gone from care homes and residential schools. 0ur eastern europe correspondent sarah rainsford has followed the story of parents desperate attempts to bring their children home. it is the most anxious journey of these mothers lives. dashing to reach the children they d been separated from for six months. ukrainian children, sent to summer camps run by russia, and then never returned. alla tells me every minute now counts. the children have been told they ll be put in care if their mums don t come for them. that means a gruelling trip across thousands of miles, from ukraine, deep into the country that s declared war on them. translation: i should never have let him go but we didn t know. - theyjust took him and that was that. my son had seen explosions. i wanted him to relax from the war, and then this happened. ijust hope we make it in time. russia has been removing children from parts of ukraine it occupi
now on bbc news, time for click. this week, nick s getting into his trunks to find out what a phone can do for a forest. now i ve just completed another survey injust under a minute. we ll find out what lara s thinking as she immerses herself in culture. i know what i m looking at now, but how do i feel? and less than two years after ai took up art, is it ready for hollywood? spencer s getting his big trailer voice ready. the ai will listen to the audio. deep trailer voice: ..and generate me a new one. jazz music plays. this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative a
i m richard louis, in for yasmin o sullivan. canceled on christmas eve travelers scrambling after a wave of flight cancellations, backing those in a rush to get home for the holidays. we are live at one of the airport to the hardest. we are following the breaking news out of gaza. five hostages in hamas tunnels have been found. we will go to tel aviv for the latest on that. this whole election interference case should be stopped in its tracks. this comes after the supreme court refused to hear an expedited appeal in this case and awaits a potential appeal of a colorado state supreme court decision kicking trump off the ballot there. i agree with the colorado supreme court. i said, gosh, for quite some time that donald trump has incited the insurrection. there should not be a loophole for inciting insurrection for the presidency. this colorado supreme court made a political decision. in my view, there is no constitutional basis for the decision they rendered. i think it
by russan forces, more than 19,000 children have been taken from occupied areas, according to ukrainian government officials. the bbc has not been able to verify that figure. russia says its motives are purely humanitarian, to protect children from danger. 0ur eastern europe correspondent rainsford has met some of the families, who have been fighting to get their children back. it is the most anxious journey of these mothers lives. dashing to reach the children they ve been separated from for six months. ukrainian children sent to summer camps run by russia and then never returned. alla tells me every minute now counts. the children have been told they ll be put in care if their mums don t come for them. that means a gruelling trip across thousands of miles from ukraine, deep into the country that s declared war on them. daniil went to the camp when his city was occupied. when it was liberated, the russians wouldn t send the children back. translation: i should never have i
this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of