Read on for news about Disney s original, publishing-driven stories, Dr. Seuss s entry into NFTs, a range of literary paper construction kits from Cubles, a new licensing program tied to the book-based PBS series All Creatures Great and Small, and more.
THE TL;DR OF ANNE IMHOF’S monumental “Natures Mortes” exhibition at Paris’s Palais de Tokyo is that it was a requiem for twentieth-century subculture if not for the twentieth century, full stop. In its institutional grandeur alone, the setup already evoked earlier art systems: Curators Emma Lavigne and Vittoria Matarrese invited Imhof to participate in the Palais’s “Carte Blanche” series (inaugurated by Ugo Rondinone in 2007), offering the German artist open use of Europe’s largest center of contemporary art (236,806 square feet). Imhof asked for no less than stripping the venue down to its
Greece has the unique advantage of people’s pre-existing emotional connection to its ancient world, but how are things for contemporary Greek culture? In your