i do, actually. and it says so in the film, it was this amazing period in time for both of us. and then came all the chaos and all of that, all the resentment and all the bs. and then i was painting him, a portrait of him as a young man and put his music on, and for whatever. this is a few years ago, all the resentment and the stuff drained away. so there s nothing left but appreciation that i was there at that time. he was there, he wrote those songs and i sang. the film reveals much of her personal battles with inner demons, and the fact that her father subjected her to some kind of abuse. you really do share your family s pathology in the film. why did you want to do that? i ve thought about doing it for years for a number of reasons. one, i guess what i say is i want to leave an honest legacy, because i know i ll have to leave some kind of legacy. and i wanted it and not, you know, otherwise.
it s given me kind of everything, because it was a way into everything that ifelt in my little heart when i was ten, you know, about the world, and these visions of wanting to be helpful started when i was really, really young. and then, lo and behold, around 13, 1a, the voice began to develop, and at the same time a social consciousness, because my family, quakers and pacifists, that all came naturally. and then at some point, they fused. but the voice was a key into everything, really. the film touches on some of the individuals with whom joan baez became involved. she was in a relationship with bob dylan when they were both quite young. # you say you re looking for someone. # how do you look back at that time and your musical partnership with bob dylan? presumably you have kind of very fond memories of that.
yeah, i think one of the beautiful things about animation is you can do really great kind of attack scenes with planes and buildings that you need hundreds of million dollars, a marvel kind of budget, to do as a non animation movie. and these animated films also have the beauty of animation in a really touchable memory. is there anything really buzzy in the festival this year, would you say, that a lot of people are talking about? i think one of the films that everyone is kind of talking about is reality, which is a whistle blower film. what is really taking everybody by the horns is the central performance by sydney sweeney, who we know from white lotus. well, thank you, kaleem. enjoy the rest of the berlinale, keep on watching. thank you. # go away from my window.# joan baez has to be one of the most influential figures in american folk.
films that you say waltz with bashir, but also flee, for example. it s really used to to bring war stories to life. so that s the same with siren, is it? yeah, i think one of the beautiful things about animation is you can do really great kind of attack scenes with planes and buildings that you need hundreds of million dollars, a marvel kind of budget, to do as a non animation movie. and these animated films also have the beauty of animation in a really touchable memory. is there anything really buzzy in the festival this year, would you say, that a lot of people are talking about? i think one of the films that everyone is kind of talking about is reality, which is a whistleblower film. what is really taking everybody by the horns is the central performance by sydney sweeney, who we know from white lotus. well, thank you, kaleem. enjoy the rest of the berlinale, keep on watching. thank you. # go away from my window. #
presumably you have kind of very fond memories of that. i do, actually. and it says so in the film, it was this amazing period in time for both of us. and then came all the chaos and all of that, all the resentment and all the bs. and then i was painting him, a portrait of him as a young man and put his music on, and for whatever. this is a few years ago, all the resentment and the stuff drained away. so there s nothing left but appreciation that i was there at that time. he was there, he wrote those songs and i sang. the film reveals much of her personal battles with inner demons, and the fact that her father subjected her to some kind of abuse. you really do share your family s pathology in the film. why did you want to do that? i ve thought about doing it for years for a number of reasons. one, i guess what i say is i want to leave an honest legacy, because i know i ll have to leave some kind of legacy. and i wanted it to be honest