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Reid adapted Haida worldviews to his times, creating a body of work about power, resilience and strength. Social Sharing Reid adapted Haida worldviews to his times, creating a body of work about power, resilience and strength Posted: Dec 23, 2020 10:30 AM ET | Last Updated: December 23, 2020 Bill Reid, The Raven and the First Men, 1980, yellow cedar, laminated and carved, 188 x 192 cm (height x diameter). Collection of the UBC Museum of Anthropology, Vancouver, Walter C. and Marianne Koerner Collection, 1980 (Nb1.481).(Photo illustration by Jim Cox. © Bill Reid Estate) This excerpt is adapted from Iljuwas Bill Reid: Life & Work, the latest edition in the Art Canada Institute s Canadian Online Art Book Project.

British columbiaUnited statesUnited kingdomTurtle islandBill reidJim coxDorin odiatiuEllen neelKay llnagaay seaSophie gladstoneMartinej reidCollection of the canadian museum historyCourtesy of the canadian museum historyMuseum of anthropologyHaida heritage centre at kay llnagaayCanadian embassy