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Rechtspolitik
LADG Baden-Württemberg: Wie im Koalitionsvertrag vorgesehen, plant die grün-schwarze Landesregierung von Baden-Württemberg ein Landes-Antidiskriminierungsgesetz. Wie die
Mo-taz (Benno Stieber) berichtet, versucht Innenminister Thomas Strobl (CDU) dabei den Eindruck zu vermeiden, in Baden-Württemberg könnte es ein Gesetz nach dem Vorbild von Berlin geben, das er selbst früher so scharf kritisiert hatte. Umstritten war in Berlin die Beweislastumkehr in Fällen mutmaßlicher Diskriminierung, die aber nicht zu der befürchteten Beschwerdeflut führte.
Corona – Beschränkungen: Der FDP-Politiker Marco Buschmann beschreibt im
FAZ-Einspruch, wie ein Ausstieg aus den Beschränkungen im Zusammenhang mit den Corona-Schutzmaßnahmen erfolgen sollte. Die Frage des Gesundheitsnotstandes müsse dabei von anderen notwendigen Regelungen entkoppelt werden, so dass es rasch möglich wäre, in den Normalzustand zurückzukehren, die Balance der Gewaltenteilung wieder her
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Colin Rayment lives in the UK. His enthusiasm for electronic music started with early exposure to Tangerine Dream by way of his eldest brother. He started experimenting with synthesizers in the 80s and released his first album in 2002. Now he is on SynGate Records.
Colin is motivated by the limitless sonic playground of electronic music. He finds rewards in exploring new sonic textures and combining them with more traditional analogue sounds and sequences.
© 2021 WDIY
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Chris Muir on touch guitar, 12-string, various processed, filtered and textural guitars, e-bow and, of course, plain old riffing and soloing. That’s not to mention the keyboards and percussion on top of the rhythm section and Thelen’s own multi-instrumental contributions.
On paper it sounds like an over-frosted three-layer cake about to topple, but in practice it’s far more elegant. Given how many elements each track contains, Thelen proves himself a master arranger as well as composer, never letting any tune sound stuffed to the gills. The space-rocking “Ladder to the Stars,” for example, sets up a circular groove over which Kaiser, Durant, Reuter, Muir and Thelen himself lay down parts. But there’s no locking of horns here – each player contributes his own bit to enhance the overall flow of the piece, rather than compete with his fellow players. That means some of them add in only brief licks, or come in and out as they feel they’re needed, or si
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