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Major show of Vivian Maier—a Chicago nanny who was also a secretive street photographer—is heading to the UK

Major show of Vivian Maier—a Chicago nanny who was also a secretive street photographer—is heading to the UK
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Editors' Picks: 11 Events for Your Art Calendar This Week, From a Hunter College MFA Show to an Exhibition of Greg Goldberg's Work

Price: Free with registration Sarah Cascone Tuesday, February 16 This mural at a Chicago public school building is among several early 20th-century works in the city’s collection that have been criticized for having outdated depictions of Native Americans and other races and ethnicities. Photo courtesy of Chicago Public Schools. 2. “Resolving Tensions Over Race and Representation in Public Art” at the National Coalition Against Censorship, New York The National Coalition Against Censorship is hosting a virtual luncheon to consider the delicate issue of historic WPA murals that whitewash problematic aspects of US history, and whether or not to remove them. Karyn Olivier, an artist and professor at Temple University in Philadelphia; Adriene Lim, dean of libraries at the University of Maryland; and scholar and curator Anthony Huffman will discuss.

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We Can't Afford to Wait for COVID-19 Vaccines To Be Rolled Out. Here's What We Can Do to Curb the Virus Now

We Can t Afford to Wait for COVID-19 Vaccines To Be Rolled Out. Here’s What We Can Do to Curb the Virus Now Time 1/13/2021 Gavin Yamey © Joseph Prezioso AFP/Getty Images Medical worker Margaret Watkins embraces co-worker Shelly Burke as part of their morning therapy inside the hot zone where medical staff monitor and treat sick patients infected with Covid-19 at the UMASS Memorial DCU Center Field Hospital in Worcester, Mass. on Jan. 13, 2021. On Jan. 7, 2021, the U.S. hit another grim milestone, for the first time recording over 300,000 new cases of COVID-19 and over 4,000 deaths from the infection in one day. Across the country, hospitals and intensive care units are now under enormous strain trying to treat so many sick people. And if a new, more transmissible variant of SARS-CoV-2, the virus that causes COVID-19, were to take hold in the U.S. as it has in the U.K., as seems plausible, our health system could pass its breaking point.

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We Can't Wait for COVID-19 Vaccines to Roll Out. Here's What We Can Do to Curb the Virus Now

We Can’t Wait for COVID-19 Vaccines to Roll Out. Here’s What We Can Do to Curb the Virus Now Time 1/13/2021 Gavin Yamey © Joseph Prezioso AFP/Getty Images Medical worker Margaret Watkins embraces co-worker Shelly Burke as part of their morning therapy inside the hot zone where medical staff monitor and treat sick patients infected with Covid-19 at the UMASS Memorial DCU Center Field Hospital in Worcester, Mass. on Jan. 13, 2021. On Jan. 7, 2021, the U.S. hit another grim milestone, for the first time recording over 300,000 new cases of COVID-19 and over 4,000 deaths from the infection in one day. Across the country, hospitals and intensive care units are now under enormous strain trying to treat so many sick people. And if a new, more transmissible variant of SARS-CoV-2, the virus that causes COVID-19, were to take hold in the U.S. as it has in the U.K., as seems plausible, our health system could pass its breaking point.

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Galleries: New display signals a step change in Alison Watt's work

Alison Watt There s a large Alison Watt painting called Phantom, which lurks quietly on a stairwell in Glasgow s Kelvingrove Museum and Art Gallery. It always takes me by surprise; like all good phantoms should. This work always appears to me to be entirely composed and ethereally beautiful. There s an otherness about it too; an intensely sensual quality which suggests the most intimate parts of a woman s body. Part of a series which combined Watt s investigation of the use of fabric in art, it is a personal response by Watt to Francisco de Zubarán s seventeenth century painting, Saint Francis in Meditation, which is in the collection of the National Gallery in London. Watt has said in the past that she considered Phantom to be the most resolved work of a series which she made while she was artist-in-residence at the National Gallery in 2007.

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