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Kalki Koechlin returns to theatres with Goldfish : It s a movie with raw humour, heart warming emotions

Actress Kalki Koechlin is 'excited' to mark her return to the theatres with 'Goldfish', after four years, saying it is an international movie with raw humour and heart warming emotions.Set in London, 'Goldfish' deals with memory, music, mental .

Kalki Koechlin Returns To Theatres With Goldfish : It s A Movie With Raw Humour, Heart Warming Emotions

Kalki Koechlin Returns To Theatres With Goldfish : It s A Movie With Raw Humour, Heart Warming Emotions
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Blood Lines

Blood Lines Sai and Prakash Raj in a still from Oor Iravu A new Tamil anthology film makes a flawed but genuine attempt to grapple with the tragic effects of our national preoccupation ‘family honour’. At the very end of Love Panna Uttranum, Vignesh Shivan’s segment in the newly released Tamil anthology film Paava Kadhaigal (Sinful Tales), there is a textual postscript that tells us what happened to the characters after the film’s end. One of the lines read: “Veerasimman managed to escape from the village and went to live with his daughter in Paris.” I scoffed mentally when I read it. because

Paava Kadhaigal: Vignesh Shivan pens a heart felt note to his fans for their reviews of Love Panna Uttranum

Vignesh Shivan took to his Twitter space and stated that he has noted down people's opinions about his portion Love Panna Uttranum for Paava Kadhaigal.

Paava Kadhaigal: Confused vision elevated by stellar performances

Paava Kadhaigal: Confused vision elevated by stellar performances Kalidas Jayaram gives a heartbreaking performance in Thangam, and Prakash Raj s ruthlessness feels lived in and too close to reality in Oor Iravu. Updated: December 26, 2020 7:49:39 pm Paava Kadhaigal is streaming on Netflix. SPOILER ALERT! Loosely translated, Paava Kadhaigal means sin stories. And it is these ‘acts of sin’ that is explored in Netflix’s new anthology Paava Kadhaigal. Four acclaimed filmmakers try to decipher and interpret the loaded word. The point is not whether they have succeeded or failed, but it is about the attempt. We always ask of our directors and actors – ‘What else could they have given us within the format?’ And we come up with so many possibilities. At least in Paava Kadhaigal, the makers are willing to push the envelope in their own small ways, and that has to be commended.

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